Get all 29 Luminous Relics releases available on Bandcamp and save 80%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Daydreaming Under Summer Sun, A New Age Is No Longer Possible, Tales Of Eternal Longing, Harvest Offerings of Madness, ENTOMBED WITH THE DEAD, A Path Towards Home Compilation, Citadel of Unending Sorrow, The End Is Here, and 21 more.
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Evlogetaria for the Dead
01:23
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Hail Redemptive Waters
04:57
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Unending Ascent
05:32
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Luminous Relics
Imperfect & homemade sounds.
If you like all is dust, all is ashes, all is shadow, you may also like:
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supported by 21 fans who also own “all is dust, all is ashes, all is shadow”
Amazing Raw Black Metal Just wished there was some physical cd copies of This I could get my Hands on.
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Revenant Marquis/Lamp of Murmuur Split
by Revenant Marquis/Lamp of Murmuur
supported by 20 fans who also own “all is dust, all is ashes, all is shadow”
I like the atmosphere/low-fi approach to Revenant Marquis, but it's hard to top Lamp of Murmuur right now. Great stuff!
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Youth in Ribbons
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supported by 19 fans who also own “all is dust, all is ashes, all is shadow”
Revenant Marquis continues with the subterranean vocals on this album. Percussion sound on all tracks has a very large sound, especially the bass drum. Guitar is generally very clean. The more I listen, the more I get Xasthur vibes, but with a more rock and roll influence. Still very depressive and chaotic. A cool album!
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Post-rock musician and World Within Worlds label head Lachlan R. Dale returns with his debut full-length, a suite of ambient explorations.
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The Cloud Machine
by Andrew Heath
Inspired by the simple innocence of his own childhood, Andrew Heath composes soothing drones, rich in texture.
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featured on Bandcamp Radio Apr 9, 2024
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supported by 18 fans who also own “all is dust, all is ashes, all is shadow”
De l'importance du titre ou Comment une juxtaposition de mots savamment choisis permettra à l'auditeur attentif de repérer chez Old Nick une transition vers un cadre spatio-temporel plus proche de l'ère victorienne gothique, confirmée par les clavecins et cuivres au synthé, mais aussi de parodier le contexte susmentionné, parodie amplifiée par un raw black metal chaotique : un essai au sujet de T.N.O.T.A.A.T.P.B.T.Q.A.S.F.A.B.O.O.T.D.O.S.S.T.T.E.V.H.S mené par Sir Jordan Vauvert en l'an 2024.
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